Spoilers follow for both parts, the kidnappers and the final attempted murder.
The Lover Who Vanished on Pont Koitani (Tottori Tour) and The Lover Who Vanished on Pont Koitani (Misasa Arc) are anime-original international episodes 1249-1250 (Japanese episodes 1190-1191). Sachiyo and her boyfriend initially stage a disappearance, Kasuga turns it into a real ransom kidnapping, and the inn attendant Komori exploits the event for revenge.
Calling one person the culprit without distinguishing those roles obscures the case. The young couple want permission to marry; the kidnapper wants money; Komori’s anger reaches back to what the two families took from her own.
The couple pulled apart on Koitani Bridge

Conan, Ran and Kogoro visit Misasa Onsen in Tottori on a hot-spring tour. On Koitani Bridge, they see Sachiyo Yumemiya and her boyfriend Yasuto Utsubuki being separated by Sachiyo’s aunt Kazuko and Yasuto’s father Hisao. The relatives oppose the marriage.
Sachiyo works as an attendant at Yumemiya, the long-established inn she is meant to inherit. Her parents have died, and Kazuko now controls its operation. The aunt’s severity extends beyond Sachiyo to employees and relatives, giving the inn a tense atmosphere beneath its welcoming surface.
Sachiyo wants to revive Misasa’s geisha culture and hopes to wear a kimono displayed at the inn, Yumezakura. At first, that ambition appears to be part of the future denied to her. Later, the garment becomes a connection to another person’s past.
The planned disappearance goes wrong

The following morning Sachiyo is missing. A photograph taken by photographer Toshihiro Kitami places her out on the previous night, giving the search a route to follow through the Tottori locations. Interviews gradually reveal more about both her plans and the opposition surrounding her.
At the Sand Museum, a discussion of making solid-looking forms from sand helps Kogoro think about something fabricated to appear real. He realizes that Sachiyo and Yasuto have arranged a false disappearance to pressure their families into accepting their relationship.
Yasuto admits the scheme and says Sachiyo is hiding in a storeroom at a violin museum. But the room is empty when they arrive. A torn piece of an inn envelope remains, and a video reaches the inn showing Sachiyo blindfolded and restrained. The couple’s deception has been overtaken by an actual kidnapping.
Sachiyo puts Hakuto into the recording

The kidnapper demands one hundred million yen. Yasuto notices something wrong with Sachiyo’s wording in the video: she is not normally someone who blames others in the way her speech appears to do. Conan also notices wave sounds and strangely repeated syllables.
The repeated syllables are ku, ha and to. Rearranging them as ha-ku-to points to Hakuto Coast, while the sound of waves supports the coastal reading. Kogoro reaches the answer with Conan’s hints. Sachiyo has embedded a location clue in a message she is being forced to deliver.
The clue gives her an active role in the rescue. The recording is meant to demonstrate the kidnapper’s control, but she uses the limited freedom of her own speech to make it carry information he has not authorized.
Kasuga’s ransom kidnapping

At Hakuto Coast, the group finds Sachiyo locked in the trunk of a black car. Her distant uncle Masamichi Kasuga is exposed as the kidnapper. He had learned of the staged disappearance from Sachiyo and used that knowledge to take over the plan.
Kasuga leaves a letter at the museum storeroom directing her along a back route, across the Misasa River and to a parking area, on the pretext of danger. She goes there herself, allowing him to take her away without having to carry out a visible abduction from the storeroom.
The back route and Kitami’s photograph of Sachiyo crossing the river undermine Kasuga’s account. They explain how she could leave the supposed hiding place and reach him, rather than simply vanishing from a room.
An unnamed colleague from Kasuga’s company handles the ransom collection. Their objective is money, with an overseas escape planned after obtaining it. That scheme explains the real kidnapping, but not everything else surrounding it.
Why Komori remains behind the first solution

Conan realizes the case is not finished when Kasuga is caught. Komori, an attendant at the inn, knew about his kidnapping plan and used it to direct harm toward the Yumemiya family. She is not simply the person who originated every step of the abduction.
Sand from Hakuto Coast has been placed on Kasuga’s car, and sand is also found on Komori’s apron. Kitami’s photograph includes a figure observing events from a high position. Those details connect Komori with the course of the kidnapping and the clues that have steered suspicion.
Her involvement adds a second motive to the ransom crime. Kasuga’s greed gives her an opportunity; what she wants is retaliation for losses tied to the inn and the two families.
The kimono belongs to a much older grievance

Yumezakura was originally made for Komori by her parents over a period of years. A land dispute involving Kazuko and Hisao cost her family their home and shop, and the kimono ended up claimed by the Yumemiya household. Her parents later died.
Sachiyo does not understand that history when she imagines wearing the garment on stage. To her it is part of a hopeful future; to Komori it is the tangible remains of a future her own family lost. That difference explains why the kimono carries so much anger without making Sachiyo responsible for the adults’ past conduct.
At the coast, Komori takes Sachiyo hostage and leads her into the sea, threatening her with a blade. Conan uses his Power-Enhancing Kick Shoes to send a floating buoy at the weapon and knock it away. Police then subdue Komori.
This attempt establishes the extent of her intent in the final confrontation: she is prepared to kill Sachiyo, not merely disrupt the inn or embarrass the family. The rescue has to succeed a second time after the ransom plot has already been exposed.
An ending that allows a beginning, rather than erasing the past

Kazuko and Hisao face the harm caused by their earlier actions and apologize to Komori. They promise that Yumezakura will be returned to its rightful owner. Sachiyo and Yasuto’s marriage is also finally accepted.
The scenery gives the story warmth, but its strongest structure is the gradual change in what the disappearance means. A romantic protest becomes a money-making crime, and then a way for an older grievance to attack the next generation. Each revelation preserves the earlier one while adding a different purpose.
The ending is hopeful without being wholly comfortable. Returning the kimono and accepting the marriage cannot restore Komori’s parents or undo the kidnapping. They do, however, make it possible for the characters to stop treating possession and family authority as reasons to control someone else’s life.

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